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October 28, 2026
Learn Japanese with Stories: the complete 20-volume Japanese reader bundle

Japanese Reading Practice: Yuki Onna, the Snow Woman (雪女), with Furigana and Audio

This is the first half of 雪女ゆきおんな (the Snow Woman), the first story in Learn Japanese with Stories, Volume 6. It is probably the best-known ghost story in Japan: two woodcutters, a father and his son, are caught on the mountain by a blizzard and take shelter in a small hut for the night.

The Japanese is written for upper beginners, around JLPT N5 to N4. Every kanji has furigana, and every line has Yumi's native audio.

How to read it: read each line out loud first, then press play to hear Yumi read it. Open Words and notes if you get stuck, and check the English last.
Listen to the whole passage first, if you like (about two and a half minutes):
LINE 1

Words and notes
  • 昔むかしlong agoN4Common opening for folktales, similar to 'once upon a time' in English.
  • 寒さむいcold (weather)N5An い-adjective modifying 国くに (country).
  • 国くにcountryN5The location where the story takes place.
  • にinN5Marks the location of existence/residence with 住すむ.
  • 茂作もさくMosaku (male given name)Name of one of the woodcutters (the father).
  • とandN5Connects the two names 茂作もさく and 美濃吉みのきち.
  • 美濃吉みのきちMinokichi (male given name)Name of the other woodcutter (the son).
  • というcalledN3Used to introduce names: '(people) called Mosaku and Minokichi'.
  • きこりwoodcutterMeans woodcutter. It is often written 木きこり or 樵きこり, but this story writes it in hiragana.
  • の(descriptive particle)N5Links きこり (woodcutter) to 親子おやこ (parent and child): 'a woodcutter parent and child'.
  • 親子おやこparent and childN3Combines 親おや (parent) and 子こ (child).
  • が(subject marker)N5Marks 親子おやこ as the subject of 住すんでいました.
  • 住すんでいましたlivedN4て-form + いました (past continuous/state). Indicates the ongoing state of living somewhere in the past: typical in story openings.
This sentence is a classic folktale opener. 昔むかし sets the time frame ('long ago'), and the location is given by 寒さむい国くにに ('in a cold country'). The structure 「AとBというC」 is essential for naming people or things: literally 'C called A and B'. Here C is きこりの親子おやこ ('a woodcutter parent and child'), modified by の to show the type of 親子おやこ. Finally, 住すんでいました uses the て-form + いる pattern in the past tense to express a continuing state of living, which is the natural way to describe where characters lived in narrative Japanese.
English

Long ago, in a cold country, there lived a father and son, woodcutters named Mosaku and Minokichi.

LINE 2

Words and notes
  • あるone; a certainN5Used as a prenominal modifier meaning 'a certain': introduces an unspecified day.
  • 寒さむいcold (weather)N5い-adjective modifying 雪ゆきの日ひ: describes the day as cold.
  • 雪ゆきsnowN5Combined with の to form 雪ゆきの日ひ (snowy day).
  • のofN5Links 雪ゆき to 日ひ: 'a day of snow' or 'snowy day'.
  • 日ひdayN5Refers to the specific day on which the events occurred.
  • 二人ふたりtwo personsN5The subject of the sentence: 'the two (of them)'.
  • は(topic marker)N5Marks 二人ふたり as the topic of discussion.
  • 山やまmountainN5Destination of movement, marked by へ.
  • へto; towardN5Indicates direction of movement toward the mountain. Pronounced え.
  • 行いってwent andN5て-form connecting to the next action: 'went (to the mountain) and…'
  • 木きtreeN5Direct object of 切きる: 'tree(s)'.
  • を(object marker)N5Marks 木き as the object being cut.
  • 切きっていましたwere cuttingN5Past progressive (~ていました): describes ongoing action: 'were cutting (trees)'.
  • がbutN4Used here as a conjunction connecting two clauses with a contrastive/sequential nuance.
  • いつのまにかbefore one knowsN2Adverbial expression conveying that something happened without notice.
  • すっかりcompletelyN3Adverb emphasizing the completeness of the change into a blizzard.
  • 吹雪ふぶきblizzardN2The state into which the weather changed.
  • にintoN5Marks the result of the change: 'turned into a blizzard'.
  • なってしまいましたended up becomingN4なる + てしまう (past polite): expresses an unintended/unfortunate complete change. Combined with すっかり, emphasizes that it fully turned into a blizzard.
The sentence opens with ある寒さむい雪ゆきの日ひ ('one cold snowy day'), a classic story-opening phrase. The main clause uses the て-form 行いって to chain actions: 'went to the mountain AND were cutting trees'. The verb 切きっていました (past progressive) sets a continuous backdrop. The conjunction が pivots to a new development. Then いつのまにか ('before they knew it') and すっかり ('completely') add adverbial nuance, and 吹雪ふぶきになってしまいました uses Noun + に + なる + てしまう to express an unintended, complete transformation into a blizzard.
English

One cold, snowy day, the two of them went to the mountain and were cutting trees, but before they knew it, it had completely turned into a blizzard.

LINE 3

Words and notes
  • 仕方しかたなくhaving no choiceN3Adverbial form of 仕方しかたない (cannot be helped). It sets the tone that the action that follows was done out of necessity.
  • 二人ふたりtwo personsN5Subject of the sentence, referring to the two characters in the story.
  • は(topic marker)N5Marks 二人ふたり as the topic of the sentence.
  • 近ちかくにnearN5近ちかく (nearby) + に (location particle), meaning 'in the vicinity'.
  • あったwas locatedN5Plain past form of ある, modifying 小屋こや. 'A small hut that was nearby'.
  • 小ちいさなsmallN4Pre-noun adjectival (連体詞れんたいし) form of 小ちいさい, used to directly modify 小屋こや.
  • 小屋こやhutN3The place where the two stayed.
  • にinN5Marks 小屋こや as the location of staying.
  • 泊とまってstayed overnight andN4て-form of 泊とまる, connecting to the next clause: 'they stayed and…'
  • 吹雪ふぶきblizzardN2Subject of the embedded clause 吹雪ふぶきがおさまる.
  • が(subject marker)N5Marks 吹雪ふぶき as the subject of おさまる within the embedded clause.
  • おさまるto die downN2Plain form, used in the noun-clause 吹雪ふぶきがおさまるの ('the storm subsiding').
  • の(nominalizer)N5Nominalizes the preceding clause おさまる, making it the object of 待まつ.
  • を(object marker)N5Marks the nominalized clause as the object of 待まっていました.
  • 待まっていましたwere waitingN4Past continuous polite form: て-form + いました. Indicates ongoing action in the past.
  • がbutN4Clause-final が meaning 'but', contrasting the waiting with the storm not subsiding.
  • いつまでたってもno matter how much time passedN2Set expression: いつまで (until when) + 経たっても (even if [time] passes). Emphasizes that no matter how long they wait…
  • おさまりませんdid not die downN2Polite negative form. The subject (吹雪ふぶき) is omitted but understood from context.
This sentence chains two clauses with て-form (泊とまって) and contrasts them with sentence-medial が. The relative clause 近ちかくにあった modifies 小屋こや ('a hut that was nearby'). Notice the structure 吹雪ふぶきがおさまるのを待まつ: a very common pattern: [clause]+のを待まつ ('to wait for [clause] to happen'). The final clause uses the idiom いつまでたっても with a negative verb to express 'no matter how long they waited, it didn't subside.' The dropped subject in おさまりません is implied to be 吹雪ふぶき, since Japanese frequently omits subjects when context makes them clear.
English

Having no other choice, the two of them stayed in a small hut nearby and waited for the blizzard to die down, but no matter how long they waited, it just wouldn't let up.

LINE 4

Words and notes
  • とうとうfinallyN2Adverb at the start emphasizing that something finally happened after a long wait or process.
  • 夜よるnightN5Noun marked by に to indicate becoming/turning into night.
  • にintoN5Marks the result/target of なる: 「夜よるになる」 means 'to become night'.
  • なってしまいended up becomingN4て-form of なる + しまう in continuative (ます-stem) form. しまう adds a nuance of regret or completion ('unfortunately became'). The ます-stem ending 〜しまい connects to the next clause.
  • 二人ふたりtwo personsN5Subject of the second clause, marked by は as the topic.
  • は(topic marker)N5Marks 二人ふたり as the topic of the second clause.
  • すっかりcompletelyN3Adverb modifying 眠ねむり込こむ to emphasize the totality of falling asleep.
  • 眠ねむり込こんでしまいましたended up falling fast asleepN2Compound verb 眠ねむる (to sleep) + 込こむ (suffix indicating doing thoroughly/deeply) in て-form + しまいました (polite past of しまう), expressing complete/regrettable action.
This sentence has two clauses linked by the ます-stem 「なってしまい」. The first describes a change of state with 「夜よるになる」 (to become night), intensified by 〜てしまう, which adds a nuance of inevitability or regret. The second clause uses the compound verb 「眠ねむり込こむ」 (to fall fast asleep), where 込こむ intensifies the base verb 眠ねむる, again followed by 〜てしまう to emphasize complete, unintended sleep. The adverbs 「とうとう」 (finally) and 「すっかり」 (completely) add emotional and descriptive weight, giving the sentence a storytelling tone typical of Japanese fairy tales and folktales.
English

At last, night fell, and the two of them ended up sound asleep.

LINE 5

Words and notes
  • どのくらいhow longN4An interrogative expression asking about quantity or degree. Here it asks 'how much time' has passed.
  • 時間じかんtimeN5The subject of the verb 経たつ. Refers to time passing.
  • が(subject marker)N5Marks 時間じかん as the subject of the verb たった.
  • たったhad passedN3Past plain form of 経たつ (to pass, of time). Often written in hiragana as たつ. Combined with 時間じかんが, it means 'time passed'.
  • でしょうかI wonder; could it be?N5A softer, more reflective form of question than ですか. Expresses wondering or uncertainty: 'I wonder how much time has passed.'
This sentence shows how to ask reflectively about the passage of time. The structure 「時間じかんがたつ」 literally means 'time passes,' with が marking 時間じかん as the subject of the intransitive verb たつ (経たつ). The opener どのくらい asks 'how much/how long,' and the ending でしょうか softens the question into something contemplative: closer to 'I wonder how much time has passed.' Note that たった is the plain past form of たつ, written in hiragana here, which is very common for this verb.
English

How much time had passed?

LINE 6

Words and notes
  • むすこsonN4Means son. Normally written as 息子むすこ, but here in hiragana.
  • の(appositive marker)N5Links むすこ and 美濃吉みのきち in apposition: “the son, Minokichi.”
  • 美濃吉みのきちMinokichi (male given name)A male given name. 美濃みの is an old province name, and 吉きち is a common name element meaning lucky or auspicious.
  • は(topic marker)N5Marks 美濃吉みのきち as the topic of the sentence: the one who woke up.
  • あまりのextreme; excessiveN2The pattern あまりの〜に means 'due to the excessive/extreme ~.' Here あまりの寒さむさに means 'because of the extreme cold.'
  • 寒さむさcoldnessN4Noun form of the い-adjective 寒さむい (cold): formed by replacing い with さ to make 'coldness.'
  • にdue toN5Used here to indicate cause/reason: 'due to the extreme coldness.' Common in the あまりの〜に pattern.
  • 目めを覚さましましたwoke upN4Set phrase literally meaning 'to bring eyes to consciousness.' 覚さましました is the past polite form of 覚さます (to awaken something). Indicates Minokichi woke up.
The sentence opens with むすこの美濃吉みのきち, where の links the two nouns appositively: 'the son, Minokichi.' は then marks this whole phrase as the topic. The key grammar point is あまりの寒さむさに, a common pattern meaning 'due to the excessive cold.' Note that 寒さむさ is the noun form of the い-adjective 寒さむい, created by swapping い for さ. The に here is causal, marking the reason for the action. The verb phrase 目めを覚さましました is an idiomatic expression for 'woke up,' in past polite form.
English

The son, Minokichi, woke up because of the bitter cold.

LINE 7

Words and notes
  • 外そとoutsideN5Refers to the area outside (of the house/building). Acts as the topic of the sentence.
  • は(topic marker)N5Marks 外そと as the topic of the sentence.
  • まだstillN5Indicates the snowstorm is still continuing.
  • 吹雪ふぶきblizzardN2Composed of 吹ふく (to blow) and 雪ゆき (snow).
  • でand; beingN5て-form of the copula だ, connecting the first clause to the next: 'is a snowstorm, and…'
  • 風かぜwindN5Subject of the second clause.
  • が(subject marker)N5Marks 風かぜ as the subject of なっています.
  • ごーごーとwith a roaring soundOnomatopoeia describing the roaring sound of the wind. The particle と marks it as a quoted/described sound modifying the verb.
  • なっていますis roaringN4鳴なる (to sound, to roar), written in hiragana, not なる 'to become.' て-form + います: the wind keeps roaring.
This sentence has two linked clauses joined by the て-form of the copula: 外そとは…吹雪ふぶきで (it is a blizzard outside) + 風かぜが…なっています (鳴なる, to sound: the wind is roaring). The first clause uses は to set 'outside' as the topic, and で (て-form of だ) lets the speaker continue with another related description without ending the sentence. The second clause uses が to mark 風かぜ as the subject performing the action. ごーごー is an onomatopoeic expression imitating the deep, roaring sound of strong wind, and the particle と attaches it adverbially to the verb. Finally, なっています (て-form + います) expresses an ongoing condition: the wind is continuously roaring.
English

Outside, it was still a blizzard, and the wind was roaring.

LINE 8

Words and notes
  • 小屋こやhutN3The subject location, a small structure whose door has come off.
  • の'sN5Links 小屋こや and 戸と, the door belonging to the hut.
  • 戸とdoorN4The subject of 外はずれて, the door that has come off.
  • が(subject marker)N5Marks 戸と as the subject of 外はずれて.
  • 外はずれてhaving come offN2て-form of 外はずれる, connecting two clauses, because/and the door came off, snow blows in.
  • 外そとoutsideN5Note same kanji as 外はずれる but read そと here, modifying 雪ゆき via の.
  • 雪ゆきsnowN5Subject of 吹ふき込こんでいます.
  • 吹ふき込こんでいますwas blowing inN2Compound verb: 吹ふく (to blow) + 込こむ (to enter/go in). The ~ています form expresses an ongoing action, snow is blowing in.
This sentence has two clauses linked by the て-form. The first clause 小屋こやの戸とが外はずれて describes a state that has occurred (the door came off), and the second clause 外そとの雪ゆきが吹ふき込こんでいます describes the resulting ongoing action (snow is blowing in). Notice that the same kanji appears twice with different readings: はず (in 外はずれる, to come off) and そと (in 外そと, outside), a good example of how kanji readings vary by context. The compound verb 吹ふき込こむ is formed by attaching 込こむ (to go into) to the ます-stem of 吹ふく, a productive pattern in Japanese for showing direction of motion.
English

The door of the hut had come off, and snow from outside was blowing in.

LINE 9

Words and notes
  • するとthen; thereuponN3Sentence-initial conjunction signaling that what follows happened immediately after the previous event.
  • そのときat that timeN4Time expression pinpointing the moment of the action that follows.
  • 真まっ白しろなpure whiteな-adjective form modifying 着物きもの. The prefix 真まっ intensifies 白しろ to mean 'pure white.'
  • 着物きものkimonoN5Object of 着きた, marked by を.
  • を(object marker)N5Marks 着物きもの as the direct object of 着きた.
  • 着きたwearingN5Plain past form used as a relative clause modifying 女おんな ('a woman who was wearing…').
  • 色いろcolorN5Here means 'complexion' (skin color), part of the descriptive clause 色いろの白しろい ('fair-skinned').
  • の(subject marker in a descriptive clause)N5Substitutes for が inside the relative clause 色いろの白しろい, marking 色いろ as the subject of 白しろい.
  • 白しろいwhiteN5Predicate of 色いろの白しろい, 'whose complexion is white' (fair-skinned).
  • 美うつくしいbeautifulN4Directly modifies 女おんな.
  • 女おんなwomanN5Subject of the main verb 入はいってきました; modified by multiple preceding clauses.
  • が(subject marker)N5Marks 女おんな as the grammatical subject of the main clause.
  • すーっとsmoothly; silentlyN2Onomatopoeic/mimetic adverb describing the smooth, silent manner of entering.
  • 中なかinsideN5Destination of motion, marked by に.
  • にtoN5Indicates the destination of the entering motion.
  • 入はいってきましたcame inN4Polite past form of 入はいってくる. The てくる auxiliary expresses motion toward the narrator's viewpoint.
The sentence opens with two scene-setting elements: すると ('thereupon') and そのとき ('at that moment'), which create narrative immediacy typical of folk tales. The subject 女おんな is preceded by a chain of three modifying expressions: (1) 真まっ白しろな着物きものを着きた is a full relative clause ('who was wearing a pure-white kimono'), (2) 色いろの白しろい uses の in place of が to mark the subject within the embedded clause ('whose complexion was fair'), and (3) 美うつくしい directly modifies the noun. All three stack before 女おんなが: a hallmark of Japanese, where modifiers always precede the noun. The mimetic adverb すーっと paints the manner of entry as smooth and silent, and the compound verb 入はいってきました (てくる auxiliary) shows the motion approaching the narrator's viewpoint, giving the reader a sense of being present in the scene.
English

Then, at that very moment, a beautiful, fair-skinned woman wearing a pure-white kimono came silently gliding inside.

LINE 10

Words and notes
  • 女おんなwomanN5Refers to the mysterious woman (the Snow Woman in this folktale context). Subject of the sentence marked by は.
  • は(topic marker)N5Marks 女おんな as the topic of the sentence.
  • お父とうさんfatherN5Refers to 美濃吉みのきち’s father, 茂作もさく. The sentence is describing the father from Minokichi’s point of view.
  • の(appositive marker)N5Links お父とうさん and 茂作もさく in apposition: “his father, Mosaku.”
  • 茂作もさくMosaku (male given name)The name of the father in the story.
  • 上うえaboveN5Indicates the location above Mosaku where the woman bent over.
  • にoverN5Marks the location where the action of かがむ (bending over) is directed.
  • かがむとwhen she bent overN2Dictionary form + と here functions as a sequential connector: 'when/upon bending over'. The と links the action to what follows.
  • ふーっとwith a long breathOnomatopoeia/mimetic adverb describing the sound and manner of blowing breath.
  • 白しろいwhiteN5Modifies 息いき (breath), describing it as white (visible in cold air).
  • 息いきbreathN3Object of 吹ふきかける, the white breath she blew.
  • を(object marker)N5Marks 息いき as the direct object of 吹ふきかけました.
  • 吹ふきかけましたblew ontoN2Polite past form of 吹ふきかける. A compound verb of 吹ふく (to blow) + かける (to apply onto), meaning to blow onto something.
The sentence opens with the topic 女おんなは (the woman), then sets up a location with お父とうさんの茂作もさくの上うえに (above father Mosaku), where the first の is appositive ('father, [namely] Mosaku') and the second の is locational/possessive. The verb かがむと uses と as a sequential connector meaning 'when/upon (bending over)', a common narrative device showing one action triggering another. The mimetic adverb ふーっと vividly describes one long, steady breath, modifying 吹ふきかけました, a compound verb (吹ふく + かける) meaning 'to blow onto'. The final past polite form gives the storytelling tone typical of Japanese folktales.
English

The woman bent over his father, Mosaku, and blew a long white breath onto him.

LINE 11

Words and notes
  • すると(and) thenN3Sentence-initial conjunction connecting to the previous context, indicating that what follows happened as a result.
  • あっという間まにin an instantN3Idiomatic expression literally meaning 'in the time it takes to say ah.' Acts as an adverb modifying the rapid freezing.
  • お父とうさんfatherN5Refers to 美濃吉みのきち’s father, 茂作もさく, not the woman’s father.
  • の'sN5Possessive particle linking お父とうさん to 体からだ: “father’s body.”
  • 体からだbodyN5The subject/topic of the latter half of the sentence: what becomes frozen and dies.
  • は(topic marker)N5Topic marker: marks お父とうさんの体からだ as the topic about which the rest of the sentence comments.
  • 白しろくwhite; turning whiteN5Adverbial form of 白しろい, modifying 凍こおりついて: 'froze whitely or froze white.'
  • 凍こおりついてfroze solid andN2て-form connecting to the next clause. Compound verb: 凍こおる (to freeze) + つく (to attach/stick), giving the nuance of becoming completely frozen.
  • 眠ねむったasleep; having sleptN4Plain past form modifying まま: the state of having fallen asleep.
  • ままwhile stillN3Used after the past-tense verb 眠ねむった to mean 'while still asleep or in the state of being asleep.' Common pattern: [past verb] + まま.
  • 死しんでdiedN5て-form of 死しぬ, connecting with しまいました to form the regretful/completed past expression.
  • しまいましたended up; did completelyN4Polite past of しまう attached to 死しんで, expressing finality and a sense of regret: 'ended up dying or unfortunately died.'
The sentence opens with すると ('and then'), signaling a consequence from the previous context. あっという間まに is an idiomatic adverbial phrase meaning 'in an instant.' The topic お父とうさんの体からだ is marked by は, then two parallel descriptions follow: 白しろく凍こおりついて (the い-adjective 白しろい in adverbial 〜く form modifying the て-form of 凍こおりつく), and 眠ねむったまま死しんでしまいました. The pattern 〜たまま expresses a state remaining unchanged ('while still asleep'), and 〜てしまいました conveys that the action was completed with a tone of regret or finality: perfectly suited to a tragic narrative.
English

And then, in an instant, the father's body froze white, and he died in his sleep.

LINE 12

Words and notes
  • 美濃吉みのきちMinokichi (male given name)The proper noun functioning as the topic of the sentence, marked by は.
  • は(topic marker)N5Marks 美濃吉みのきち as the topic of the sentence.
  • 心こころheartN3Part of the phrase 心こころの中なかで meaning 'in one's mind/heart'.
  • の(descriptive particle)N5Links 心こころ and 中なか in an associative relationship ('inside of the heart/mind').
  • 中なかinsideN5Combines with 心こころの to form 'inside the mind': i.e., thinking to oneself.
  • でatN5Indicates the location where the action of thinking takes place ('in his mind').
  • 雪女ゆきおんなsnow womanThe content of Minokichi's thought, made up of 雪ゆき (snow) + 女おんな (woman).
  • だisN5Plain-form copula used inside the quoted thought, giving the exclamation 'It's a Snow Woman!'
  • と(quotation marker)N4Marks the preceding 「雪女ゆきおんなだ!」 as the quoted content of the verb 思おもいました.
  • 思おもいましたthoughtN4Polite past form of 思おもう. Combined with the と particle, it expresses '(he) thought, ―'.
The sentence introduces 美濃吉みのきち as the topic with は, then describes the location/manner of his thought with 心こころの中なかで ('in his mind'). The quoted exclamation 「雪女ゆきおんなだ!」 uses the plain copula だ, which is normal inside quotations even when the main verb is polite. The quotation particle と links the quoted thought to 思おもいました (polite past of 思おもう). Together, 「~」と思おもいました is the standard pattern for reporting what someone thought.
English

In his mind, Minokichi thought, "It's the Snow Woman!"

LINE 13

Words and notes
  • 雪ゆきsnowN5Subject of the relative clause 雪ゆきの降ふる (where snow falls), modifying 夜よる.
  • の(descriptive particle)N5Here の replaces が to mark 雪ゆき as the subject of 降ふる within a relative clause modifying 夜よる.
  • 降ふるfallsN5Plain form verb in a relative clause modifying 夜よる.
  • 寒さむいcoldN5い-adjective directly modifying 夜よる.
  • 夜よるnightN5The noun being modified by the entire preceding clause 雪ゆきの降ふる寒さむい.
  • にat; on (time)N5Marks 夜よる as the time when the action takes place.
  • 人ひとperson; peopleN5Direct object of the causative verb 凍こごえ死じにさせる.
  • を(object marker)N5Marks 人ひと as the person being made to freeze to death.
  • 凍こごえ死じにさせるmake (someone) freeze to deathN1The noun 凍こごえ死じに (freezing to death) + させる (causative of する): to make someone freeze to death.
  • というcalled; thatN3Connects the preceding descriptive clause to 雪女ゆきおんな, meaning 'a Snow Woman who [does the described action].' Here という means 'said to.'
  • 恐おそろしいterrifyingN3い-adjective modifying 雪女ゆきおんな.
  • 雪女ゆきおんなsnow womanThe main predicate noun. 雪ゆき (snow) + 女おんな (woman) = a famous 妖怪ようかい, a supernatural being of Japanese folklore.
  • ですis (polite)N5Polite copula concluding the sentence: '…is a Snow Woman.'
This sentence is a single noun-predicate built around 雪女ゆきおんなです ('is a Snow Woman'), with everything before it functioning as modifiers describing what kind of Snow Woman. First, 雪ゆきの降ふる寒さむい夜よるに sets the scene: note that の replaces が in the relative clause (a common pattern in noun-modifying clauses). Next, 人ひとを凍こごえ死じにさせる is a causative verb form (~させる) meaning 'to cause people to freeze to death.' This whole action is then bundled into a noun-modifier using という, attaching the description to 恐おそろしい雪女ゆきおんな. Reading right-to-left from 雪女ゆきおんな outward helps unpack such densely modified Japanese sentences.
English

It was the dreaded Snow Woman, said to freeze people to death on cold, snowy nights.

LINE 14

Words and notes
  • 美濃吉みのきちMinokichi (male given name)The name of the character, marked as the topic of the sentence with は.
  • は(topic marker)N5Marks 美濃吉みのきち as the topic: the one whose state and actions are being described.
  • 逃にげようI'll run awayN4Volitional of 逃にげる. Volitional + と思おもう: 'thought, I'll do it; meant to.' 'Tried to' is 〜ようとする.
  • と(quotation marker)N4Marks the preceding volitional clause as the content of what was thought, linking to 思おもいました.
  • 思おもいましたthoughtN4Polite past of 思おもう. Volitional + と思おもう: 'thought, I'll do it; meant to.' 'Tried to' is 〜ようとする.
  • がbutN4Sentence-connecting が showing contrast: he meant to run, BUT his body wouldn't move.
  • 体からだbodyN5The subject of the second clause, marked by が.
  • が(subject marker)N5Marks 体からだ as the subject of 動うごきません.
  • 動うごきませんwould not moveN5Polite negative non-past of 動うごく. Although the rest of the sentence is past tense, the present-tense negative here vividly conveys the ongoing 'frozen' state in the moment.
The sentence centers on the pattern 〜ようと思おもう, where the volitional form 逃にげよう ('let's escape') is quoted with と and followed by 思おもいました to mean 'thought he would run'. The middle が is the conjunction 'but', linking the intention to the contrasting reality. Notice the tense shift: 思おもいました is past, but 動うごきません is present-negative: this is a storytelling device that pulls the reader into the immediate, ongoing sensation of being unable to move.
English

Minokichi wanted to run away, but his body wouldn't move.

LINE 15

Words and notes
  • 雪女ゆきおんなsnow womanThe subject of the sentence, marked by は. 雪女ゆきおんな is a famous figure in Japanese folklore.
  • は(topic marker)N5Marks 雪女ゆきおんな as the topic of the sentence.
  • 美濃吉みのきちMinokichi (male given name)A proper name, here the target of the action 近ちかづいて (approached).
  • にtoN5Marks 美濃吉みのきち as the target of approach.
  • 近ちかづいてapproached andN3て-form of 近ちかづく, connecting to the next action.
  • そのthat; theN5Refers to 美濃吉みのきち's face.
  • 顔かおfaceDirect object of のぞきこむ (to peer into).
  • を(object marker)N5Marks 顔かお as the object being peered into.
  • じっとfixedlyN3Adverb modifying のぞきこむ, emphasizing the intensity of the stare.
  • のぞきこんでpeering intoN2て-form of のぞきこむ, combined with いました to form past continuous.
  • いましたwasN5Past polite form of いる, paired with the て-form to express past continuous: "was peering into."
  • がand thenN4Here が functions as a soft connector between clauses, similar to "and then" rather than "but."
  • こうlike thisN4Introduces what was about to be said, pointing forward to the upcoming quote.
  • 言いいましたsaidN5Past polite form of 言いう, the main verb of the final clause.
This sentence chains multiple actions using the て-form: 近ちかづいて (approached and…) leads into のぞきこんでいました (was peering into). The construction 〜ていました indicates a continuous action in the past: she WAS peering, not just peered once. The が after いました is the conjunctive が, which softly connects clauses without necessarily meaning "but"; here it bridges the background (her staring) with the main action (her speaking). Finally, こう言いいました uses the forward-pointing demonstrative こう to introduce the words that will follow.
English

The Snow Woman drew close to Minokichi and was intently peering into his face, and then she said this:

LINE 16

Words and notes
  • お前まえyou (informal)N2A blunt, familiar 'you' for someone below you. Here a spirit talks down to a human.
  • は(topic marker)N5Marks お前まえ as the topic: the speaker is making a statement about 'you'.
  • 美うつくしいbeautifulN4An い-adjective in its dictionary (attributive) form, directly modifying the noun 顔かお (face).
  • 顔かおfaceThe noun being modified by 美うつくしい. It is the object that the subject 'has/possesses' via している.
  • を(object marker)N5Marks 美うつくしい顔かお as the object of the verb する.
  • しているhas; is havingN5て-form + いる of する. The pattern [Adjective]+[Body Part]+をしている is an idiom meaning 'to have/possess [a quality] [body part]': here, 'has a beautiful face.'
The key grammar point here is the idiom [Adjective]+[Body Part]+をしている, which expresses possession of a physical trait rather than an action. So 美うつくしい顔かおをしている literally reads 'is doing a beautiful face' but actually means 'has a beautiful face.' This pattern is very common for describing eyes (青あおい目めをしている: 'has blue eyes'), hair, and other physical features. The use of お前まえ gives the line a blunt, talking-down tone: it's not polite speech.
English

"You have a beautiful face."

LINE 17

Words and notes
  • まだstillN5Adverb meaning 'still'. Here it indicates the subject is still in a young state.
  • 若わかいyoungN5い-adjective in plain form describing the unstated subject (someone) as young.
  • しand; becauseN4The particle し adds a reason: “since you are still young.” It often lists reasons or adds explanatory support.
  • 助たすけてsave; helpN4て-form of 助たすける, connecting to あげよう to form the giving-favor expression 助たすけてあげる (to help [for someone's benefit]).
  • あげようI will do it for youN5Volitional form of あげる. In the pattern ~てあげよう, it means the speaker will do something for someone as a favor; here, she will spare/help Minokichi.
This sentence shows two key intermediate grammar points working together. First, 「まだ若わかいし」 uses the reason-giving particle し to justify the upcoming action: 'since (you) is still young.' A single し often hints at additional unstated reasons. Second, 「助たすけてあげよう」 combines the て-form of 助たすける with the volitional あげよう (from あげる), forming the 〜てあげる pattern that marks an action done for someone else's benefit, plus a volitional ending expressing the speaker's intent: 'I'll spare you.' The subject (both of 'is young' and of 'I' deciding to help) is omitted, which is normal in Japanese when context makes it clear.
English

"You are still young, so I will spare you."

LINE 18

Words and notes
  • ただしhowever; butN2Used at the start of the sentence to introduce a condition or restriction. Often follows a previous statement to add an important caveat.
  • 今夜こんやtonightN5Combines 今こん (this/now) and 夜や (night). Linked by の to こと: 'what happened tonight.'
  • の(descriptive particle)N5Connects 今夜こんや and こと, meaning "the matter of tonight" or "about tonight."
  • ことmatter; thingN4Abstract noun meaning "matter" or "thing." Here it refers to what happened tonight: "the events of tonight."
  • は(topic marker)N5Marks 今夜こんやのこと as the topic: "as for the matter of tonight…"
  • けっしてneverN3Emphatic adverb that pairs with a negative or prohibitive expression to mean "absolutely not." Here it strengthens the prohibition てはいけない.
  • 誰だれanyoneN5Combined with にも to form 誰だれにも meaning "to anyone" (with negative: "to no one").
  • にもto anyoneN3Combination of に (target/recipient) and も (even/also). With a negative, 誰だれにも means "to no one at all."
  • 話はなしてtellN5て-form of 話はなす, used here to connect with はいけない to form the prohibition pattern てはいけない ("must not ~").
  • いけないmust notN4'Not allowed; no good.' In the pattern てはいけない, it conveys "must not do." Combined with 話はなして, it means "must not tell."
This sentence is a strong prohibition framed as a condition. ただし at the start signals that an important restriction is being added to whatever was said before. The topic 今夜こんやのことは ("as for the matter of tonight") sets up what the prohibition is about. The adverb けっして intensifies the negative ending, and 誰だれにも (question word + にも) with a negative means "to absolutely no one." The core grammar is the prohibition pattern てはいけない attached to 話はなす, giving "must not tell." The plain (non-polite) form gives this command an authoritative, serious tone.
English

"However, you must never tell anyone about what happened tonight."

LINE 19

Words and notes
  • 雪女ゆきおんなsnow womanCompound of 雪ゆき (snow) and 女おんな (woman). The topic of the sentence, marked by は.
  • は(topic marker)N5Marks 雪女ゆきおんな as the topic of the sentence.
  • 静しずかにquietlyN5The な-adjective 静しずか becomes an adverb when followed by に, modifying the verb 消きえていきました.
  • 雪ゆきsnowN5The noun connected by の to 中なか, indicating where she disappeared into.
  • の(descriptive particle)N5Links 雪ゆき with 中なか to form 'inside the snow'.
  • 中なかinsideN5Indicates the location 'inside the snow'.
  • にtoN5Marks the destination/direction of the disappearance: into the snow.
  • 消きえていきましたdisappeared intoN5て-form of 消きえる + いく in past polite form. The 〜ていく pattern expresses an action moving away from the speaker or progressing into the distance: here, the gradual fading away of the Snow Woman.
The sentence uses two important patterns. First, 静しずかに shows how a な-adjective becomes an adverb by adding に: describing HOW the action occurs. Second, 消きえていきました combines the て-form of 消きえる with いく in polite past form. The 〜ていく construction expresses motion or change moving away from the speaker, often used for gradual fading or progression. Together with 静しずかに, it creates a vivid image of the Snow Woman silently fading into the snow.
English

The Snow Woman quietly faded away into the snow.

LINE 20

Words and notes
  • 美濃吉みのきちMinokichi (male given name)The subject of the sentence, marked by は as the topic. 美濃吉みのきち is a male given name.
  • は(topic marker)N5Marks 美濃吉みのきち as the topic of the sentence.
  • そのままwithout changeN4Adverb meaning 'just like that' or 'without doing anything else'. Here it implies Minokichi lost consciousness right then and there, without any intervening actions.
  • 気きを失うしなってlost consciousnessN2A set expression meaning to lose consciousness or faint. Here it is in て-form before しまいました.
  • しまいましたended upN4Auxiliary verb attached to the て-form of 失うしなう. Expresses that the action was complete and often carries a nuance of regret or unintended outcome: here, that he unfortunately fainted.
The sentence centers on the idiom 気きを失うしなう ('to lose consciousness'), conjugated into the て-form and combined with しまいました to form 〜てしまいました. This pattern emphasizes that the action was completed and often suggests it was unfortunate or unintended: perfect for the dramatic tone of folktale-style narration. The adverb そのまま adds immediacy, suggesting that fainting happened right at that moment without any further action.
English

Minokichi just lost consciousness right then and there.

LINE 21

Words and notes
  • 朝あさmorningTime noun used adverbially at the start of the sentence to set when the event occurred.
  • 目めeyeN5Part of the set phrase 目めが覚さめる (to wake up, literally 'eyes become awake').
  • が(subject marker)N5Marks 目め as the grammatical subject of 覚さめる.
  • 覚さめるwoke upN4Dictionary form used before と to form a conditional/sequential clause meaning 'when (he) woke up'.
  • とwhenN4Conditional/temporal と attached to dictionary form, indicating 'when X happened, Y was the case': often used for unexpected discoveries.
  • お父とうさんfatherN5Polite term for father; the topic of the main clause.
  • は(topic marker)N5Marks お父とうさん as the topic of the main clause.
  • 隣となりnext toN5Location noun indicating 'next to (him)'; works with で to mark where the state existed.
  • でbeside; atN5Marks 隣となり as the location where the state of being dead was found.
  • 死しんでいましたwas deadN5て-form + いました (past continuous/resultative state). With 死しぬ, the ている form expresses the resulting state 'is dead' rather than ongoing action; past tense yields 'was (already) dead.'
This sentence has two clauses joined by と. The first clause 目めが覚さめると uses the conditional/temporal と after a dictionary-form verb to mean 'when (he) woke up'; this pattern frequently introduces a surprising or newly noticed situation. The main clause topic-comment structure marks お父とうさん with は, locates him with 隣となりで, and uses 死しんでいました: the ~ている form of the punctual verb 死しぬ. With such verbs, ている describes the resulting state, so this means 'was (already) dead,' not 'was dying.' Recognizing this distinction is key to understanding instantaneous verbs in Japanese.
English

When he woke up in the morning, his father was dead beside him.

LINE 22

Words and notes
  • 美濃吉みのきちMinokichi (male given name)The subject of the sentence, marked by は. 美濃吉みのきち is a male given name.
  • は(topic marker)N5Marks 美濃吉みのきち as the topic of the sentence.
  • ひとりでalone; by himselfN5Adverbial phrase meaning 'alone' modifying 暮くらす. The で here is the means/manner particle attached to ひとり (one person).
  • 暮くらすto liveN4Dictionary form used here as the modifier before ようになりました, indicating a change in living state.
  • ようになりましたcame toN3Grammar pattern [verb dictionary form + ようになる] expressing a change of state or habit. Past polite form here means 'came to live alone': a transition from his previous life.
  • がbutN4Sentence-connecting が, indicating a soft contrast between the two clauses: 'he came to live alone, but…'
  • 雪女ゆきおんなsnow womanCompound of 雪ゆき (snow) + 女おんな (woman). A famous supernatural being in Japanese folklore.
  • の(descriptive particle)N5Links 雪女ゆきおんな with 話はなし, meaning 'the story about the Snow Woman.'
  • 話はなしtalkN4Object of the verb しませんでした (via the topic marker は). Here means 'the story (of the Snow Woman).'
  • 誰だれにもto anyoneN4誰だれ (who) + に (to) + も (even/also). Combined with a negative verb, means 'to no one at all.'
  • しませんでしたdid not tellN5Negative past of する. The object is 雪女ゆきおんなの話はなし, so the meaning is “did not tell/talk about.”
This sentence has two clauses joined by the contrastive conjunction が. The first clause uses the pattern [Verb + ようになりました] to express a change: 暮くらすようになりました means 'came to live (alone),' showing a transition into a new lifestyle. The second clause uses 「話はなしをする」 ('to tell a story') split by particles: 話はなし is topicalized with は (giving contrastive nuance), and しませんでした is the past negative polite form of する. The phrase 誰だれにも combines with the negative verb to mean 'to no one at all.' Together, these structures emphasize that despite Minokichi's life change, he kept the Snow Woman's secret completely.
English

Minokichi came to live alone, but he never told anyone about the Snow Woman.

What has happened so far

Long ago, in a cold country, there lived a woodcutter and his son, Mosaku and Minokichi. One cold, snowy day the two went up the mountain and were cutting trees, but before they knew it, the snow had turned into a full blizzard. With no other choice, they stayed in a small hut nearby and waited for the storm to die down, but no matter how long they waited, it did not. At last night fell, and the two fell fast asleep.

How much time passed, no one can say. The son, Minokichi, woke up because of the terrible cold. Outside the blizzard was still roaring, the door of the hut had come loose, and snow was blowing in. Just then, a beautiful, pale woman in a pure white kimono glided silently inside. She bent over the father, Mosaku, and blew a long white breath on him. In an instant his body froze white, and he died in his sleep.

"It's the Snow Woman!" Minokichi thought: the dreadful spirit who freezes people to death on cold, snowy nights. He tried to run, but his body would not move. The Snow Woman came close and stared into his face, and then she said: "You have a beautiful face. You are still young, so I will spare you. But you must never tell anyone about tonight." Then she vanished quietly into the snow, and Minokichi fainted. When he woke in the morning, his father lay dead beside him. Minokichi came to live alone, and he never told anyone about the Snow Woman.

What happens next

Finish the story. Learn Japanese with Stories is our set of Japanese readers built from classic folktales and trickster tales: 20 eBooks and more than 40 stories, with furigana on every kanji, native audio at normal and slow speed, line-by-line vocabulary and grammar notes, a full English translation, and an Anki deck for every story. Every story also opens in the free Makoto Japanese Explorer app, where you can tap any word for its reading and meaning.

Get all 20 eBooks, $59

Story text from Learn Japanese with Stories, Volume 6: Yuki Onna by Clay and Yumi Boutwell. Audio read by Yumi Boutwell.

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